A River in the Trees: Hannes Schüpbach’s ‘L’Atelier’
A positive created from a negative, Hannes Schüpbach’s L’Atelier (2007) is the portrait of a space drawn by that which is outside itself. In place of description, poetics; in place of space, time.[1] And projected back into that other, darker space of the cinema with a single lit window, the dialectics of interior and exterior […]