Liam Gillick, ‘Industry and Intelligence: Contemporary Art Since 1820’ Art Monthly #400, October 2016

Why are we seemingly locked in contemporary art’s cold embrace, an infinite present which elides future and past? How can we transcend ‘contemporary art’? To understand the former and prepare for the latter, artist Liam Gillick turns to lesser-known histories for lessons in Industry and Intelligence, a new genealogy which thinks backwards to revolutions in […]