Camille Henrot: The Pale Fox (Chisenhale Gallery, London) Art Monthly #375, April 2014

Everywhere in Camille Henrot’s formidable exhibition ‘The Pale Fox’ is the frame, the bounded box, the vernacular of the desktop window. But here, too, is its antidote, in the form of the unformed, curved and chaotic, via ruptures, slippages, disjunctures or stoppages; and in the wild metastasis of the proliferation of the image. Curse and [...]